Brick Road Poetry Press

...poetry that entertains, amuses, edifies

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Home Lotus Buffet by Rupert Fike

About Lotus Buffet by Rupert Fike

Bio of Rupert Fike

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Table of Contents

Sample poems:

In My Grandfather’s Ruined Cabin

Toast

Feedback

Cleaning the Coffee Table, Saturday Night

My Favorite Line from Howard’s End

Like Jack Kerouac, Rupert Fike is mad to talk. A Rupert Fike poem isn't small talk though. Fike wants to be saved, wants to live. One of my favorites in this volume is “Toast.” “In the name of all that’s toast it must go,” he writes, as he struggles to put the diode-eye out of a machine that, Cyclops-like, watches over our lives. Armed with hammer and nail, Fike is Everyman-Ulysses out for justice. But Fike also knows his limits. In the lovely last poem of this volume, the poet accepts a bittersweet truth he cannot change. The soul must seek another outlet as children outgrow the past. Like Fike–and Kerouac, too–we may love the beauty of “words, words, words stretched out, limitless,” though, in the end, poetry of this caliber leads us to understand when and why they must leave off, as well.

— Stephen Bluestone

In Lotus Buffet, Rupert Fike gives us a roller coaster of a read. From the first section title—“Notes to Seymour’s Fat Lady”—to the final poem, “Faulkner, Jung and the 60 Cycle Hum,” we are caught in a warm onrush of words. Dig out your old bell-bottoms and settle in. Here it is, the whole, hopeful craziness of those times, generous as that “pigeon-feeding woman downtown,” that soup-kitchened, beaten-down woman, ”who with bread-crumb bestowing arms” stands in the late afternoon sun and “inhabits grace.”

— Alice Friman

What happens when you cross a Southern raconteur with a Buddhist monk? You get Rupert Fike’s exhilarating poems that are part back porch storytelling and part Zen koan. He takes you around the world and back in time. Minor characters come alive—a Sunday School teacher who discusses St. Augustine and hell; the guys who repair Jack Kerouac’s battered typewriter; men in a pub who argue about the origin of guitar feedback. And in this mighty stew a world emerges that is so real that we experience it as if it were our own. Did I mention his brilliant meditation on toast? His story of the renegade Buddhist garbage collector? The man who sneaks a little bit of his dying mother’s morphine? This is a rich book—there’s a surprise on every page.

— Barbara Hamby